Sensing (more)

Been busy in my head lately, and it’s been wonderful. Sadly, neglectful of my little corner here, which (also sadly) is one of many corners of the web I assign my name and soul-print to.

When I took on my book and dropped a lot of other things, this got dropped, and that’s sad. But I’ve been enjoying the time in my head and finding my way back to center. A sense of clarity and a thrill is back and it’s wonderful.

read: The Nerdist Way (gooood book, not done yet, obviously, but dude, read. it. if you consider yourself a geek), The Art Journaler, twitter, the analytics on my channel.

taste: Coors Light Silver Bullet stuffs. So good. adding that to my new drink list. Also, THE MOUNTAINS CHANGE COLORS. Everything should change color. (I shared it 2 hours ago, I’m tired, not tipsy, I swear).

see:

The sky #aprilprompt #taj #norules

hear: 

 

smell: Fresh air, because the windows were open all day!

touch: furry cat and dry hands.

think: I need to think, but I’m too tired. Sometimes I just need to listen to people instead, and give my brain a rest. But I have a show to make, so I need to round up my material. Got to get into a pattern because I’m loving this new thing so much, and also, I want to make a 3 (or 5) piece Star Wars set of paintings because I have a Star Wars pillow in my living room. Well, and a Darth Vader candy dispenser….

feel: My wisdom tooth has been acting up off and on all day. Also, sinuses and headache. But I get to wear cute clothes and it’s warm(er), so I feel satisfied.

Art Journaling

I’ve wanted to be an art journaler for a long time, but every time I started I’d stop. I think it was because subconsciously I never really felt good enough. I loved other people’s art journals – in books, with loads of paint, or collages. But I’ve never really been able to do that (I can’t bring myself to write in books) and I wanted my journal to look cool too, so I sort of just got hung up.

The Art Journal: prompt 1

A few days ago, I discovered The Art Journaler and their April prompt which somehow made it okay. Then, yesterday, I was hunting down a letter to tape to my journal-journal with another letter and I stumbled across some of my old notebooks from 2009 on. As I flipped through them, with the rambled notes and illustrations in the corner I realized, I’d been art journaling before I even realized I was an artist. And it wasn’t perfect, and it wasn’t collage-y or dedicated (I had business ideas, math, sermon notes, and random marriage notes in with my thoughts) it was mine – and my art has improved a lot since then.

Late Night art #taj #norules

Which somehow made me realize something. It’s just a journal, and I don’t have to compare it and it doesn’t have to be like anyone else’s and it doesn’t have to be worthy, because it already is, because it’s mine. So lately, I’ve been toting around my pentalic recycled drawing book that I got on vacation last summer, and my sign pen markers I got for christmas; and drawing, coloring, and writing whatever prompts me, whatever thoughts I have in my head, and whatever I feel like I need to get down before I lose it.

Art journal

If it’s particularly lengthy though, I have my shiny “live free” notebook my sister-in-law gave me for christmas that I’ve turned into my journal-journal. Pretty notebooks make good journals.

wish #wish #taj #norules

Cyber Week!

This week is cyber week! like cyber Monday except all week. So I decided to do something for it this year.

I’ve launched four new paintings, relished some of the favorites, and….get this, free shipping! All of the new paintings are only $50 and if you follow @kwhimsy on twitter, or like the page – there’s a special discount ^.^ Alex even made me a header and profile image just for this, so check it out (and support artists)!

kiery's whimsy cyber week

Where I’ve been – art and life

I didn’t mean to be gone all week without posting, but sometimes life decides to take over and give you…a life, and blogging gets moved because of this weird thing called sleep and exhaustion.

- Monday and Tuesday I tried to just take it easy, I didn’t do the whole wake-up-and-exercise-thing because I wasn’t sure if I was coming down with something, and with a trip on Wednesday I didn’t want to overexert myself. I did, however, carve pumpkins on Sunday night and walk around town like someone from Harry Potter on Halloween.

-Wednesday (what I really want to get to) I, and a bunch of other artists/groups from Maine went down to Worcester, MA for the 10th “Idea Swap” put on by NEFA. It was my groups’ first time going and there were three of us in the van with a bunch of other Maine-ers. I didn’t really know what to expect when we got there, but the experience and mingling and finding out what kinds of (preforming) art other people from all over New England were working on bringing to their communities was great.

It was also very interesting to get a sort of “inside look” at what it takes to feasibly bring events, and people, and ideas to New England, and that’s kind of what NEFA helps with (to the best that I understood it). And also to find out what kinds of things people want to bring – some of the ones that caught my attention were Silents are GoldenA Tribute to Benny Goodman (and the guy who presented that brought packets with CDs ^.^), and one that is a multi-media piece of art that has dancing and film and…everything, and can be displayed in galleries *and* preformed (as I understand it) – the name of that one is currently alluding me.

Another important aspect that the meeting focused on was the level of community involvement that would be brought as a result of having the artist/groups come, and the various things that the performers themselves could do for and with the community/area they were showing in. Silents are Golden goes to schools and I believe does segments on silent acting and/or pantomime. I found this intriguing because aside from the obvious commercial part of bringing acts to New England (getting people to come and pay to see the various things) they’re trying to bring it into the community in a more hands on/educational way. I’m not sure how standard that is, (because for me, it was like sitting in on a board room or business meeting where most of the stuff goes way over your head, but you try to take in as much as you can and get the general idea of what exactly is going on) but I imagine it’s not particularly uncommon either.

It was really quite fascinating, and the people themselves were great to talk to. We sat with some really interesting people who try to bring art/theater into the more…ghetto-ey? (for lack of a better term) areas of Boston, and it was just amazing to talk to them and hear their story and goals (I really hope that it all goes well) too.

Artistic Tuesday

Last night I went to an artist panel hosted by the local creative arts association that I just joined. The topic was basically how we write ant talk about art, and how we *should* be and what ways are helpful to engage the public. We had a journalist, historian, and a director from a gallery that works in tandem with MECA.

We talked about how art is a business and how culture/art and the economy go hand in hand. Art festivals are great because people who wouldn’t usually go to a gallery will come and be exposed to the arts. We talked about how the arts in Maine are changing and picking up speed, how many people really do care about the arts even if their not vocal about it, and we talked about how there are so many opportunities to learn, or to teach and make it all accessible.

What struck me

We talked a bit about how to know what good art is and how a lot of that is subjective. How people today have advantages to “build their eye” because we can see everything on the internet. Not just art, but subconsciously, design. How the biggest thing we can do to develop our “eye” is to keep looking. everywhere. cartoons, internet, books, galleries, fairs. Art is everywhere and becoming more and more accessible. We can learn anything we need to with the tools that we have at our fingertips (not to discount classes…). But, we need to start a dialogue. We’re not used to having honest discussions about art, and we should be having those conversations.

I wrote a lot more in my notebook that makes sense to me, but I can’t translate it into a coherent post separated from the context in the ink strokes. I write in lines, and when I see them I understand the context and the subtext on a subconscious level, but getting that out of the lines and ink and into words on a screen takes a while of chewing and musing and letting the words create themselves.

Shortly after my meeting in August I went through my old notebook and wrote down a few things about my art – what movements I identify with, what I’d like to improve/want to see, and what I need to do.

my art is inspired by:

idealism – art is imagination, psyche over body

mannerism – perspective less important, idealized figures

romanticism – authentic, intuition, non utilitarian

post/impressionism – not telling morals, follow own vision, emotional

aestheticism – art for the sake of art, subtle moods/color

post/modernism – exploration of vision, noticing the world changing, art is imperfect

futurism – new and vital, celebrates technology

I want:

to have more depth in my figures so they look less flat. To learn how to create more convincing backgrounds and how to create glowing effects/more luminosity. To learn how to shade better

I need:

to practice and research everything I want to get better at and understand.

—-

It must be a weird thing, because I trust my ability to find things on the internet more than my ability to find what I’m looking for in a book. I think my biggest fear is: a book, is a book, it’s there, it’s not changing or updating, I could find a book that could be erroneous or horribly outdated and I wouldn’t really know. I could get an art history book that’s huge, but might have less accuracy because of the time and viewpoint of it’s writing. So I’m weirdly more apt to trust a google search and look at multiple sources and hope that I get a more whole view. The problem is finding out where to start. I did a search on VanGogh last week, I guess I’ll just search for things as I feel like I should learn about them and when I’m inspired to look up particular topics.

Anyway, after the meeting I feel a mix of self conscious in my creating and validated in my quirky methods (cartoons/tv + internet). I’m still very much trying to bridge the gap and everyone in that room has been creating for years, and I presume, have closed that gap. Although, I suppose, I shouldn’t assume that. Then again, I was the youngest in the room, and I’m pretty sure I’m the youngest in the group. I have so much to learn, and honestly it’s a bit intimidating. Doesn’t help that I have this thing where I jump between different things, which is great for me because then I learn a variety at once, but hard when I need to figure out what to start first. Maybe I’ll make a list of things to research and then go through that. It might be easier to do if it’s not “RESEARCH ALL THE THINGS!”.

If you’ve made it this far without being bored from my rambling, thank you. With that I’ll leave you with a bit of something I wish I remembered more often. From PinterestTo live a creative life we must loose our fear of being wrong